Programme Notes

BFI Southbank

Funny Games U.S.

SPOILER WARNING The following notes give away some of the plot. Michael Haneke on ‘Funny Games U.S.’ Do you think that cinema, and particularly attitudes to violence in cinema, have changed over ...

Bread & Roses

Bread & Roses offers an unflinching look at the lives of Afghan women following the Taliban’s return to power in Kabul in 2021. Co-produced by Jennifer Lawrence and Malala Yousafzai and directe...

Hidden

SPOILER WARNING The following notes give away some of the plot. At a formal level, Michael Haneke’s Hidden contemplates one of the fundamental questions of filmmaking: where to put the camera. Wat...

Time of the Wolf

Michael Haneke on ‘Time of the Wolf’ How dramatically has Time of the Wolf changed in the ten years since you wrote the script? The script didn’t change at all. The one thing that did change is t...

The Rain People

Francis Ford Coppola on ‘The Rain People’ How did The Rain People originate? I had originally written The Rain People in 1960 in college. I could never get on top of it. It was first called Echoe...

Benny's Video

SPOILER WARNING The following notes give away some of the plot. A skilfully made and disquieting film, Benny’s Video is also unusually oppressive. Director Haneke has described the trilogy of whic...

Vagabond

Most animals do not walk on their hind legs; humans are anomalous, unwieldy columns. Maybe because of this, we experience an existential loss of footing when we fall over. What made us so sure of o...

Wanda

Actor-writer-director Barbara Loden’s film is an extraordinary work in American film history, a bracing tale of a working-class woman’s weariness, drift, and refusal of the romantic plot of marriag...

Amour

Michael Haneke on ‘Amour’ When we spoke about The White Ribbon in 2009, you were writing a film about old age, but you later put it aside because of another film on the subject. So is Amour differ...

The Red House

A BFI member since 1967, Ray Deahl served as a BFI Member Governor twice, from 1996 to 2002. For over 50 years, Ray was a constant presence at BFI Southbank, sharing his deep passion for cinema and...

Nicky Hamlyn - Cycles of Time

+ Nicky Hamlyn in conversation with BFI National Archive curator William Fowler A work from every decade of Nicky Hamlyn’s extensive output is included in a career-spanning programme about cyclica...

Mountains

Director Monica Sorelle on ‘Mountains’ The film begins with a Haitian proverb; what does that proverb mean, and what resonance does it have for you? Proverbs are really big in Haitian culture. Wh...

Valkyrie

In the film that marked the beginning of Cruise’s collaborations with his recent Mission: Impossible writer-director Christopher McQuarrie, Cruise plays Claus von Stauffenberg, the German Colonel w...

Amorosa

For her final feature, Zetterling returned to Agnes von Krusenstjerna – this time telling the novelist’s life story rather than adapting her work. The film begins as a fever dream, with von Krusens...

War of the Worlds

Dock worker and divorced dad Ray has custody of his children for the weekend when a tumultuous thunderstorm brings with it more than inclement weather. In Cruise’s second collaboration with Spielbe...

Test Pattern

Director’s notes Test Pattern complicates the easier narratives of sexual assault. #metoo, Times Up, and modern feminism have caused a world-shaking shift in power, empowering individual victims o...

Sleeping Car

+ intro by Michael Williams, author of Ivor Novello: Screen Idol Train attendant Gaston has a girl in every city and juggles them with farcical results. Ivor Novello effortlessly made the transiti...

100 Years of Film as Art - Celebrating the Centenary of The Film Society

+ intro by BFI National Archive curator Bryony Dixon It’s 100 years since a group of London cinephiles founded The Film Society. From its first screenings in October of that year, the society was ...

A Way of Life

Growing up in South London in the 1980s writer and first-time director Amma Asante recalls ‘the part of London I lived in seems so diverse now. It wasn’t then. We were one of two Black families liv...

Nightshift

+ intro by Jon Jost, filmmaker, cinematographer and friend of Robina Rose Legendary punk stayover The Portobello Hotel provides the location for Robina Rose’s stunning, psycho-dramatic long-night...