Programme Notes

BFI Southbank

The Golden Dream

Ken Loach’s influence may not be so prevalent in current UK filmmaking, but turn to the Spanish-speaking world and he remains a key reference point for a number of directors forging tough, angry, s...

Red Cliff

‘An Asian Troy’ is how John Woo describes the Manichean power struggles that gripped China at the end of the Han Dynasty, as recounted in the 14th-century literary classic Romance of the Three King...

Death of a Nation - The Timor Conspiracy + Palestine Is Still the Issue (2002)

John Pilger introduced his 1994 East Timor film at BFI Southbank as follows: At Stanfords in London’s Covent Garden, reputedly the best map shop in the world, I asked for a map of the island of Ti...

The Woman King

+ intro by Rógan Graham, freelance writer and film programmer (Friday 1 November only) Viola Davis is magnificent as General Nanisca, leader of the Agoji, the all-female army responsible for prote...

One Flew over the Cuckoo's Nest

‘Nothing can defeat the human spirit’ – Toby Kearton, BFI Member The question of what constitutes mental illness, how to depict it and the proper attitude towards it, was Milos Forman’s biggest ch...

A Girl at My Door

Writer-director July Jung on ‘A Girl at My Door’ A Girl at My Door is your first feature film: how did the meeting with producer Lee Changdong ( Poetry , Secret Sunshine ) go and how did you convi...

Color Adjustment

This ground-breaking, critically acclaimed and Peabody Award-winning documentary, narrated by Ruby Dee, examines the representation of race in a selection of US television’s most popular shows, (in...

Anora

A certain minority of viewers has at times imagined a version of Pretty Woman (1990) in which Richard Gere’s car does not pull up near Julia Roberts’ sensitive striver Vivian, but next to Laura San...

Save the Green Planet!

This one-of-a-kind, completely insane film follows a disillusioned conspiracy theorist who believes that aliens have infiltrated society and plan to destroy Earth during the next lunar eclipse. He’...

No Other Land

No documentarist could reasonably expect their work to change the world overnight. But for the makers of No Other Land, the process involved is a much longer one: this collective, two Palestinians,...

Battleship Potemkin

Eisenstein challenged cinematic form in his second film, an essential revolutionary classic. Dramatising the true story of the mutiny aboard the Potemkin, the filmmaker integrated bold imagery wi...

The War You Don't See

John Pilger: Why are wars not reported honestly? In the US Army manual on counterinsurgency, the American commander General David Petraeus describes Afghanistan as a ‘war of perception … conducted ...

Taxi

SPOILER WARNING The following notes give away some of the plot. This furiously fast and funny action flic flick kick-started one of the most successful franchises in French film history. A non-dri...

The Quiet Mutiny

+ intro and Q&A with author Anthony Hayward When John Pilger reported from Vietnam for his first television documentary, The Quiet Mutiny, directed by Charles Denton, the World in Action film ...

The Pilger Effect

John Pilger believed passionately that great documentaries frighten the powerful, unnerve the compliant and expose the hypocritical. Across a long career, Pilger was called a ‘dangerous subversive’...

The Last Day

+ intro with author Anthony Hayward The story of the United States’ final withdrawal from Vietnam was one that John Pilger was inspired to turn into a screenplay, based on those events that he cov...

RRR

S.S. Rajamouli’s big-budget, reimagined history of two real-life 1920s Indian freedom fighters was a worldwide sensation on its release. From the opening one-man-versus-a-crowd dust-up, RRR (Rise, ...

I Am Not Your Negro

John Pilger’s call to ‘break the silence’ at the Power of the Documentary Festival in Sydney The term ‘documentary’ was coined by the Scottish director John Grierson. ‘The drama of film,’ he said,...

Halloween

In 1978 Halloween was a break with the then-dominant mode of American horror as represented by the likes of George A. Romero, early Wes Craven, Larry Cohen and Shivers-era David Cronenberg. In the ...

Battleship Potemkin

Sergei Eisenstein on ‘Battleship Potemkin’ Every phenomenon has a chance, superficial manifestation. And underlying it is a profound feeling that reason has dictated it. So it was too with the film...