Programme Notes

BFI Southbank

Gösta Berling’s Saga

+ intro by writer Paul Joyce Some stories lend themselves well to a three-hour running time and the episodic saga is perfect for it. The word saga might imply stodginess but in fact the time speed...

Sneakers

The many tributes published following Sidney Poitier’s death on 6 January 2022 tended to focus, naturally enough, on the actor/director’s status as a pioneering figure in 20th century American cine...

Rebel without a Cause

‘It’s a great coming-of-age melodrama with an incredible cast.’ – Luke Hemmings, BFI Member ‘Whatever’s inside making me what I am, it’s like film. Film only works in the dark. Tear it all open an...

Stir Crazy

On a crisp March morning, some 90 newcomers went into the maximum-security block of the Arizona State Penitentiary. Leading the party the way were Gene Wilder and Richard Pryor. They were in the j...

Ludwig

Shown at the sweeping, epic length Visconti initially intended, and not without some vague parallels to his own life, this stately biopic focuses on the life of wildly eccentric, closeted gay royal...

Death in Venice

In this classic depiction of queer desire and mortality, adapted from the novel by Thomas Mann, Visconti captures the aesthetic pleasures and exquisite longing of an ageing intellectual following t...

Nightbeat

+ intro by Josephine Botting, BFI Curator Britain’s first blonde bombshell: celebrating the centenary of Christine Norden The story of Christine Norden’s road to fame is a publicist’s dream. Whil...

From Here to Eternity

It took James Jones 858 pages to tell From Here to Eternity’s story of the US army in the last months before the Japanese attack on Pearl Harbor, but the film is as lean and powerful as its star Bu...

Videodrome

A contemporary review David Cronenberg’s audacious attempt at conflating medium and message produces more than just the time-honoured confusion of illusion and reality: it actually tests the audien...

Desperately Seeking Susan

SPOILER WARNING The following notes give away some of the plot. Although Desperately Seeking Susan has been sold as a Madonna vehicle directed at the teenage market, its success in the US has been...

The Leopard

The casting of Burt Lancaster in the title role threatened to poison the production from the very beginning, since Goffredo Lombardo, head of the production company Titanus, had made the decision t...

The Wizard of Oz

On 13 October 1938 Production No.1060 on the MGM’s Culver City lot went before the cameras. A full six months later than the moneymen wanted, the film had already notched up the kind of budget MGM ...

8 Mile

No performer since David Bowie in the 1970s has better exploited the actorly impulses at the heart of pop music than hip-hop star Eminem. Shuffling a deck of alter egos (alongside his stage name he...

Scrooge

One of the best-known adaptations of Charles Dickens’ Christmas classic, Brian Desmond Hurst’s 1951 film stars Alastair Sim as the notorious curmudgeon Ebenezer Scrooge, visited by the ghosts of Ch...

It's a Wonderful Life

Frank Capra cleared his throat, and began. The war was over and he was anxious to make another movie. In early October 1945, he approached Lew Wasserman, James Stewart’s agent at MCA, telling him t...

Eternal Sunshine
of the Spotless Mind

‘Kaufman’s script showcases a perfect balance between intelligent and resourceful storytelling.’ – Carolina, BFI Member We celebrate the 20th anniversary of director Michel Gondry and writer Charl...

A Sudden Glimpse to Deeper Things

Scottish artist Wilhelmina Barns-Graham – voiced here by Tilda Swinton – had an extraordinary creative passion. In his poetic documentary portrait, Mark Cousins explores her artistic practice, re...

Meet Me in St. Louis

The closer you look at most famous Hollywood productions, the harder it is to see how they turned out all right – let alone to believe that anyone was in charge. Just as on any set the crew trusts ...

GoodFellas

SPOILER WARNING The following notes give away some of the plot. A contemporary review Scorsese’s return to the milieu of Mean Streets invites comparison less with that film than with Coppola’s The...

The Dresser

Richard Eyre on ‘The Dresser’ What made you want to get involved in this production of The Dresser ? I was approached by executive producer Colin Callender and asked if I would like to make a fil...