Programme Notes

BFI Southbank

WolfWalkers

+ pre-recorded Q&A with directors What’s it about? It’s the mid-17th century and young Robyn arrives in Ireland with her father, who is tasked with hunting down the local wolves. Yet everyth...

The Warrior

+ On-stage interview with writer-director Asif Kapadia The Rajasthan desert in Northwest India is not a place where you expect to find a theatrical film shoot. It’s hot, inhospitable and far from ...

The Reason I Jump

Director Jerry Rothwell on ‘The Reason I Jump’ Naoki Higashida’s descriptions of a world without speech provoke us to think differently about autism. For most of history, nonspeaking autistic peop...

The Reason I Jump
(Relaxed Screening)

‘I think we can change the conversation around autism by being part of the conversation,’ says Ben on his letter board. Jerry Rothwell’s multi-award winning documentary is a significant step in the...

In the Earth

Following an uncharacteristically tepid adaptation of Daphne du Maurier’s Rebecca undertaken for Netflix and released last year, Ben Wheatley here returns to the diseased rural British underbelly h...

Women in the Films of Robert Altman – An Online Panel Discussion

We are delighted to announce that film critics Anne Billson and Hannah McGill, as well as season programmer Geoff Andrew, will join us for this discussion hosted by film programmer Rowan Woods. Ro...

WOMB

+ On stage Q&A with Srishti Bakshi and film critic Anna Smith. WOMB is a heart-wrenching and heart-warming narrative of the plight, dreams, rights and fight against all forms of violence that ...

Secret Honor

Altman on ‘Secret Honor’ I’m interested in the complexity – or the simplicity, I should say – of American politics, power politics. And I do have a political conscience. But I didn’t approach this...

HealtH

SPOILER WARNING The following notes give away some of the plot. HealtH is the last film that Robert Altman made under his contract with 20th Century-Fox, ending a run of films between 1977 and 19...

The Elephant Man

With a pre-recorded introduction by director Prano Bailey-Bond. SPOILER WARNING The following notes give away the film’s ending. In 1884, the ‘freak’ John Merrick was discovered in a booth in th...

Popeye

Altman on ‘Popeye’ I really asked to do Popeye because … why not? A movie is just a fantasy anyway. And it occurred to me that this was a chance to create my own environment, which I’d done in Qui...

The Story of Looking

+ Pre-recorded Q&A As he prepares for surgery to restore his vision, award-winning filmmaker Mark Cousins explores the role that visual experience plays in our individual and collective lives....

Quintet

SPOILER WARNING The following notes give away some of the plot. ln the attempts to find an explanation for Quintet, it has been likened to Images, the art-house film Altman made at a time when he w...

Doctor Who
Dragonfire

Writer Ian Briggs came to the BBC’s Script Unit from studying drama at Manchester University, via a short stint as a member of the behind-the-scenes management team in local theatres. He soon met A...

The First 54 Years
An Abbreviated Manual for Military Occupation

+ Pre-recorded Q&A ‘Military occupation’ is an abstract term, open to mistaken interpretation. What does ‘occupation’ imply? What does it mean for people living under occupation? What means mu...

Fargo

‘We wrote the part of Carl specifically for Steve (as we wrote the parts of Marge for Fran, and Grim for Peter) because somehow it was appropriate that amongst all these second-generation Scandinav...

O.C. and Stiggs

How is it possible that a film whose entire narrative is framed as a prolonged crank call to Gabon’s then-president Omar Bongo is not a mainstay of the retro/cult screening circuit? Altman’s pungen...

Le Doulos

+ pre-recorded intro by Professor Ginette Vincendeau, King’s College London (Wed 30 June only) SPOILER WARNING The following notes give away some of the plot. With 1,475,391 tickets sold in Franc...

The Wiz

The Wiz began life in 1974, as a Broadway musical with an all-black cast. It became the smash hit of the season, winning Tony Awards in seven categories: Best Musical, Best Score (Charlie Smalls),...

Streamers

SPOILER WARNING The following notes give away some of the plot. Although the after-glow of MASH and Nashville (abetted by some purblind critical activity) still clouds the issue, it seems increas...