Programme Notes

BFI Southbank

Fata Morgana + The Great Ecstasy of Woodcarver Steiner

Werner Herzog’s third feature takes the reductio ad absurdum narrative patterns of his other films to their logical conclusion by dispensing with narrative altogether. Fata Morgana consists exclusi...

Basket Case

By the end of 1983, the Scala was using its cinema programme to campaign against the strictures of the Video Recordings Act. Along with The Evil Dead, the similarly banned black comedy horror Baske...

Priscilla

If you had somehow forgotten who made Priscilla, the very first shot would set you right. Girlish bare feet, sporting a bright coral pedicure, pad across a bedroom, every step sinking deeper into t...

The Boy and the Heron

Toshio Suzuki (Producer and Studio Ghibli President/Co-founder) on ‘The Boy and the Heron’ You and Miyazaki have spoken before about wanting each new film to betray audience expectations of Studi...

Fanny and Alexander

SPOILER WARNING The following notes give away some of the plot. A contemporary review Ingmar Bergman has declared that Fanny and Alexander is to be his last film. There have, it should be noted, b...

Carol

SPOILER WARNING The following notes give away some of the plot. Adapted from a Patricia Highsmith novel, Haynes’ typically elegant yet acerbic movie charts the intense (yet hesitant and furtive) r...

A Year in a Field

+ intro and discussion Filmed in solitude, between the winter solstices of 2020 and 2021, this meditation on the natural world and human impact on the landscape raises questions rather than give...

A Woman of Paris

The screening on Sunday 17 December will be introduced by Mark Fuller, Michael Powell expert. Michael Powell interviewed by Kevin Brownlow on ‘A Woman of Paris’ I heard second-hand about the effe...

Mr. India

+ Q&A with producer Mr Boney Kapoor Mr. India is the only real ‘Bollywood’ film made by Shekhar Kapur, whose earlier film Masoom was more in the style of the parallel Hindi cinema, while his l...

Tish

Paul Sng, the BIFA-winning director of Poly Styrene: I Am a Cliché and Dispossession: The Great Social Housing Swindle, crafts an intimate portrait of Tish Murtha, a working-class photographer from...

The Shop around the Corner

Ernst Lubitsch grew up in Berlin as the son of the Russian Jewish émigré owner of a dressmaking company. He knew the world of shops and they feature often in his films. Perhaps witnessing the patte...

Poor Things

Unfortunately Yorgos Lanthimos has fallen ill and is no longer able to introduce this preview. However we are delighted to announce that Willem Dafoe will now join us to introduce the screening. F...

Michelle Williams Gamaker
and Powell + Pressburger

+ Michelle Williams Gamaker in conversation with Dr Kulraj Phullar Michelle Williams Gamaker’s stunning, beautifully-staged films trouble the too often overlooked political dynamics trapped in cla...

It's a Wonderful Life

Frank Capra cleared his throat, and began. The war was over and he was anxious to make another movie. In early October 1945, he approached Lew Wasserman, James Stewart’s agent at MCA, telling him t...

Queering Powell + Pressburger

A panel discussion exploring the special resonances Powell and Pressburger’s films have for queer cultures today. With the theatrical high style of The Red Shoes and The Tales of Hoffmann, queer pe...

Tim Burton's
The Nightmare before Christmas

Director Henry Selick on ‘The Nightmare before Christmas’ The film has been marketed as Tim Burton’s The Nightmare before Christmas , but you’re the director. What do you think is distinctively yo...

Buck and the Preacher

Black American history is presented through the prism of a Western. Sidney Poitier’s directorial debut, in which he stars opposite Belafonte, tells the story of a wagon master and con-man pastor wh...

Kansas City

+intro by actor Miranda Richardson and season curator Burt Caesar (on Sunday 17 December only) Appearing in both The Player (1992) and Prêt-à-Porter (1994), Harry Belafonte was among the galaxy of...

Sofia Coppola in Conversation

From her feature debut The Virgin Suicides through to latest film Priscilla, Sofia Coppola has established herself as one of the most distinctive voices in American cinema, with a compelling exqui...

Crown v. Stevens +
Behind the Mask

Crown v. Stevens was made by Michael Powell with an eye firmly set on the light at the end of the tunnel. In fact, Crown proved to be his penultimate ‘quota’ film and the last of these that survive...