Programme Notes

BFI Southbank

Horace Ové
Reflecting the People
A Career Retrospective

Spanning four decades, Horace Ové’s work encompassed cutting-edge drama and documentary, as well as programmes examining music and the visual arts. At a time when telling authentic Black stories on...

La dolce vita

SPOILER WARNING The following notes give away some of the plot. In an age when few arthouse films cause riots or give rise to parliamentary debates, it’s difficult to envisage the sheer seismic fo...

Contraband

Michael Powell and Emeric Pressburger’s second collaboration neatly captures the darkness and disorientation (both literal and metaphorical) of London during the early stages of the war, while also...

One of Our Aircraft Is Missing

Made quickly and relatively cheaply (for £700,000) at the height of the war, One of Our Aircraft Is Missing was one of Powell and Pressburger’s early successes both critically and financially. Alth...

49th Parallel

For their third collaboration, Michael Powell and Emeric Pressburger were engaged by the Ministry of Information to make a propaganda film. 49th Parallel (1941; The Invaders in the US), was a conce...

A Touch of Eastern Promise
+ Q&A with Tara Prem

A young Indian boy who dreams of film stars sees his favourite actress come to Birmingham. Written by Tara Prem, this was one of the first British TV productions to feature an entirely Asian cast. ...

The Spy in Black

For his first project at Alexander Korda’s London Films, Michael Powell was introduced to young Hungarian screenwriter Emeric Pressburger for this World War I drama. The pairing was a propitious on...

Margaret

SPOILER WARNING The following notes give away some of the plot. During one of the blistering wars of words that are Margaret’s lifeblood, a character issues the sour reprimand: ‘Don’t handle me.’ ...

Black Christmas +
intro by Tara Prem

A bittersweet drama on a familiar theme – the frictions forced to the surface during a Christmas family get-together – Michael Abbensetts’ Black Christmas is an understated and affecting study of r...

The Andromeda Strain

‘This is a thrilling plague film from 1971 – an imagining of future events. I’ve loved it since I first saw it.’ Pamela Davies, BFI Member A satellite crashes in a small New Mexico town. Before lo...

The Thief of Bagdad

Producer Alexander Korda originally assigned this Arabian Nights-style adventure – which had been a hit in its 1924 Hollywood version starring Douglas Fairbanks Sr – to the German director Ludwig B...

Mean Streets

Ask someone to pick their favourite moment from a film by Martin Scorsese, something defining. Many would cite Robert De Niro’s memorable ‘you talkin’ to me?’ challenge to his own leering, gun-toti...

The Edge of the World

Having made two dozen low budget pot-boilers over the preceding five years, Michael Powell finally got the chance to make his first really personal film with the ambitious drama The Edge of the Wor...

Distant Voices Still Lives

Contemporary reviews Terence Davies makes films in instalments. The 100-minute Trilogy – Children, Madonna and Child, Death and Transfiguration – which was begun in 1976 took eight years to complet...

Casablanca

It’s still the same old story. [Over] 75 years after it was released, Casablanca remains one of the world’s best-loved films. Not just the best-loved, but best-remembered. Many cinephiles can quote...

I Know Where I'm Going!

‘I Know Where I’m Going!’ is a film of extraordinary beauty and emotional power. It means so much to many people – to those members of Powell and Pressburger’s company The Archers who participated ...

The Exiles

Kent Mackenzie first conceived of The Exiles during the making of his short student film Bunker Hill while a student at the University of Southern California. In March 1956 he read an article by Do...

Exhibition

From its outset – a flatly declarative title card leading straight into a shot of D (Viv Albertine, formerly of the punk group The Slits) lying prone, pressed up against a full-length window – Exhi...

Archipelago

SPOILER WARNING The following notes give away some of the plot. This may not seem like headline news, exactly: the English upper middle class suffers from emotional repression and may harbour seet...

An American in Paris

When producer Jesse L. Lasky opened the envelope that revealed the name of the 1951 Best Picture Academy Award, he could not hide his disappointment. ‘Oh dear’ he declared, ‘the winner is An Americ...