Programme Notes

BFI Southbank

The Killers

Michael Reeves, the short-lived English director, was obsessed with Don Siegel’s The Killers – a 1964 remake of Robert Siodmak’s 1946 adaptation of Ernest Hemingway’s 1927 short story – and would w...

Gone to Earth

In 1950, austerity and rationing still prevailed in Britain, but the Archers – Michael Powell and Emeric Pressburger – chose to continue their series of post-war Technicolor melodramas (following B...

The Elusive Pimpernel

Although The Elusive Pimpernel is a light-hearted romp that refuses to take itself seriously, it was the source of bitter recriminations and a subsequent lawsuit between its executive producers. Th...

Donnie Darko

Richard Kelly on ‘Donnie Darko’ Is there anything about Donnie’s story that is autobiographical? Yes (laughs). All of it. Not literally. I didn’t grow up seeing rabbits. A jet engine never fell o...

Wings of Desire

Few modern films have made the transition to classic status as quickly as Wim Wenders’ Wings of Desire. His tale of a guardian angel in a still-Wall-divided Berlin who falls in love with – and to e...

The Souvenir

SPOILER WARNING The following notes give away some of the plot. Early on in this delicate, acute story of artistic self-discovery and amour fou, shy film student Julie is introduced to Fragonard’s...

Smoke Sauna Sisterhood

While completing the deeply cleansing smoke sauna rituals and traditions of Estonia’s Võro community, a group of women share their innermost secrets and intimate experiences. Their stories touch on...

Run Lola Run

‘Like the circles that you find in the windmills of your mind.’ Marilyn Bergman and Alan Bergman This roller-coaster of a film established Tom Tykwer as one of the most exciting writer-directors a...

Thelma Schoonmaker
in conversation

The collaboration between Martin Scorsese and Thelma Schoonmaker is the stuff of cinematic legend – not so very unlike that between Powell and Pressburger. It was Scorsese who introduced Schoonmake...

Je t'aime Je t'aime

SPOILER WARNING The following notes give away some of the plot. For Alain Resnais there is a place but not necessarily a time, for everything. There are often several times. A man’s stored experie...

Time Bandits

The screening on Wednesday 25 October will be introduced by director Terry Gilliam. Perhaps the most ferociously imaginative fantasy film Britain has ever produced, Time Bandits – a violent, absu...

Erase and Forget

+ Andrea Luka Zimmerman and James Mackay (via Zoom) in conversation with BFI National Archive curator William Fowler Two films from the BFI National Archive explore the charged and imagistic power...

A Canterbury Tale

Probably Powell and Pressburger’s most personal and unusual film, A Canterbury Tale bewildered critics and audiences on its release, but has since come to be seen as one of their very best; Pressbu...

Blackmail

+ intro by Bryony Dixon, BFI National Archive Curator (Wednesday 25 October) SPOILER WARNING The following notes give away some of the plot. Hitchcock’s first (part-)talkie, about a detective’s f...

Red Ensign + The Night of the Party

Red Ensign In his twelfth film in four years, Michael Powell directed his own story of an ambitious shipbuilder, David Barr (Leslie Banks), and his attempt to turn around the fortunes of the Britis...

Playing Away

+ intro by writer Caryl Phillips (Tuesday 24 October only) In Playing Away the Brixton Conquistadores, a black cricket team from south London, accepts an invitation to play a ‘friendly’ charity ga...

The Lazarus Project

+ Q&A with cast Paapa Essiedu, Caroline Quentin, Anjli Mohindra, writer Joe Barton and director Carl Tibbetts. When the world locks into a never-ending time loop that will ultimately end with ...

Pressure +
Panel discussion

SPOILER WARNING The following notes give away the film’s ending. Widely regarded as the first black British feature film, Horace Ové’s neorealism-inspired Pressure focuses on the tribulations of ...

Horace Ové
Reflecting the People
A Career Retrospective

Spanning four decades, Horace Ové’s work encompassed cutting-edge drama and documentary, as well as programmes examining music and the visual arts. At a time when telling authentic Black stories on...

La dolce vita

SPOILER WARNING The following notes give away some of the plot. In an age when few arthouse films cause riots or give rise to parliamentary debates, it’s difficult to envisage the sheer seismic fo...