Programme Notes

BFI Southbank

Truelove

+ Q&A with cast Lindsay Duncan, Clarke Peters, Sue Johnston, writer Iain Weatherby, co-creator Charlie Covell and director Chloë Wicks. Chaired by Miranda Sawyer. Truelove is a unique spin o...

The Phantom Light

SPOILER WARNING The following notes give away some of the plot. Michael Powell bid for box-office success with this tale of a gang of ship-wreckers who spread the legend of a ‘phantom lighthouse’ ...

Strange Days

SPOILER WARNING The following notes give away some of the plot. Kathryn Bigelow shoots in light. Cinema’s outlaw, she disrupts assumptions about where a film can go, taking genres and ripping them...

Five Easy Pieces

SPOILER WARNING The following notes give away some of the plot. Three years after Jean-Luc Godard’s weekending couple Corinne and Roland became caught up in the interminable traffic jam that block...

The End of the River

+ intro by film scholar Dr Kulraj Phullar ‘Who is guilty, the twig or the current?’ asks a courtroom lawyer, making a plea for clemency for a native Brazilian (played by Indian star Sabu) who fate ...

Scrooge

One of the best-known adaptations of Charles Dickens’ Christmas classic, Brian Desmond Hurst’s 1951 film stars Alastair Sim as the notorious curmudgeon Ebenezer Scrooge, visited by the ghosts of Ch...

The Love Test +
Something Always Happens

Male chauvinist pigs meet 1930s girl power in Powell’s superior quota-quickie, in which chemists seeking a formula for fireproofing celluloid take exception to colleague Mary’s upcoming promotion –...

After Life

SPOILER WARNING The following notes give away some of the plot. One of the visual motifs which runs through After Life turns out in retrospect to be a kind of running gag. Limbo staff-members pass...

The Passenger

The screening on Saturday 2 December will include a pre-recorded introduction by Jason Wood, BFI Executive Director of Public Programmes & Audiences SPOILER WARNING The following notes give aw...

Odds against Tomorrow

SPOILER WARNING The following notes give away some of the plot. Harry Belafonte shines as a mercurial gambler uncertain of bourgeois respectability, indebted to loan-sharks, who threaten his job a...

Lazybones +
Her Last Affaire

The lazybones of Powell’s amiable comedy is idle, penniless aristocrat Sir ‘Reggie’ Ford, who is shaken into a more productive existence when a criminal plot forces him to prove his worth to his Am...

The Umbrellas of Cherbourg

Les Parapluies de Cherbourg enjoys a legendary place as an all-but-unique curiosity in French cinema – the film for which the epithet ‘bittersweet’ was invented, less a musical (though French examp...

Queendom

No one quite uses the term ‘degenerate art’ in Queendom, but the sentiment is nigh. Russia, it seems, is not a country big enough to hold both a chest-baring Kremlin folk saviour, who bombs his nei...

Fallen Leaves

Coming six years after Aki Kaurismäki announced his retirement from filmmaking, Fallen Leaves feels like a return to very familiar territory. The director’s last two features were unusually explici...

Vigil

+ Q&A with Suranne Jones, Rose Leslie, Romola Garai, Dougray Scott, writer Tom Edge and executive producer Jake Lushington Following multiple unexplained fatalities at a Scottish military faci...

Run Lola Run

+ intro and discussion Who said time travel had to be about science-fiction? Tom Tykwer responds with this thrilling crime drama that saw the re-emergence of a vital German cinema. With its punk...

The Creative Worlds of Powell + Pressburger

Event Schedule 12:00-12:05 Welcome and introduction by Claire Smith and Nathalie Morris 12:05-12:50 New Land, New Boundaries, New Worlds: Exiles and Outsiders in the Films of Powell and Pressburg...

The Eternal Daughter

Joanna Hogg is interested in how we are shaped by the rooms we occupy. The starkest example is Exhibition (2014), set in the unique home that architect James Melvin designed with so many nooks and ...

Anatomy of a Fall

The protagonist of Justine Triet’s courtroom drama Anatomy of a Fall is no easy or ingratiating character, but the woman who plays the role is unequivocal about her. ‘I love her,’ says Sandra Hülle...

BUG 65

BUG is back! A whole 12 months since we were last at BFI Southbank, your favourite night of big screen music video awesomeness, internet nonsense (good nonsense not the other stuff) has returned, w...