Programme Notes

BFI Southbank

In the Cut

In one of In the Cut’s early scenes, English professor Frannie is teaching her students about Virginia Woolf’s To the Lighthouse. They look bored, apathetic. One complains that all that happens in ...

La chimera

Enigmatic and intriguing, the newest drama from Italian magic realist director Alice Rohrwacher features lead Josh O’Connor as rugged archaeologist gone jailbird Arthur, newly released and coming h...

Walkabout

Nic Roeg’s masterpiece details the growing bond between an indigenous Australian boy, on a ritual separation from his tribe, and two white children lost in the outback. Beautifully shot, it inspire...

Special People

+ Q&A with director Justin Edgar and actors Dominic Coleman & David Proud Enlisted to teach a class of wheelchair-users about filmmaking, neurotic Jasper gets a little more than he barga...

The Night of the Shooting Stars

La notte di San Lorenzo, like the Taviani brothers’ previous films, belongs to a cinema of rhetoric. The overall structure is loose, defined in broad strokes that can be grasped immediately and the...

Jules et Jim

In 1912, Frenchman Jim (Henri Serre) and the Austrian Jules (Oskar Werner) become firm friends, happily sharing their enjoyment of Paris, art, literature and women, even when their adoration of the...

Good Morning Babylon

SPOILER WARNING The following notes give away some of the plot. In contrast to that movie radicalism which springs from some marriage of Marx and Hollywood, the Tavianis belong to a solid, mature,...

Going to Mars - The Nikki Giovanni Project

+ Q&A with Chanje Kunda, Bianca Wilson and host Chardine Taylor-Stone This life-affirming, award-winning documentary follows legendary poet and activist Nikki Giovanni, aged 80, as she looks b...

Doctor Who
The Celestial Toymaker

The making of ‘The Celestial Toymaker’ Brian Hayles would write many Doctor Who stories and is best remembered for creating the Martian Ice Warriors and the planet and civilisation of Peladon. But ...

The Subversives

This early drama interweaves the stories of four men with complex personal lives (one of whom is a film director) and political affiliations, linked by their presence at a – real-life – public figu...

Perfect Days

The 21st-century fiction filmmaking career of Wim Wenders has been exasperating for fans of the early work of wonderment and charm that made him a pillar of the New German cinema in the 1970s and 8...

Evil Does Not Exist

The love for Ryusuke Hamaguchi’s Drive My Car, which won an Academy Award for Best International Feature in 2022, can feel like a dream. Needless to say, Hamaguchi’s refraction of Chekhov endures, ...

Devil in a Blue Dress

SPOILER WARNING The following notes give away some of the plot. Carl Franklin’s elegant, intelligent adaptation of Walter Mosley’s novel centres on Second World War veteran Easy Rawlins, hired to ...

Blue Black Permanent

+ intro by BFI events programmer Aga Baranowska and filmmaker and curator Peter Todd Blue Black Permanent was Margaret Tait’s first and only feature production. Although her abstract animations an...

Ben Nicholson 1894-1982

+ intro by Steve Foxon, Curator of Non-Fiction, BFI National Archive An account of the life and work of the English painter Ben Nicholson, with reminiscences from the artist Patrick Heron, who too...

The Dreamers

+ Q&A with producer Jeremy Thomas Gilbert Adair on ‘The Dreamers’ The novel on which my screenplay for The Dreamers is based was originally published in 1988 under the title The Holy Innocents...

Oska Bright Film Festival 2024 First Look

The Cunning The Oska Bright team is delighted to share this selection of highlights ahead of the festival. The festival will explore aspects of the human condition past and present, encompassing...

Caesar Must Die

A contemporary review The Taviani brothers, arthouse darlings of the 70s and 80s (Allonsanfàn, Padre padrone, The Night of San Lorenzo), have rather dropped off the international map in recent year...

Boom

SPOILER WARNING The following notes give away some of the plot. Set on a secluded island, Boom introduced a new, minimal ‘music box’ sound that Barry frequently used in the years immediately befor...

City of God

In 2002, the Cannes Film Festival was crackling with buzz, about a film that wasn’t in the official competition, was a completely unknown entity, yet was building up a frenzied word of mouth. It wo...