Programme Notes

BFI Southbank

This Man Is Mine

+ intro by film historian Carole Sharp This Man Is Mine is based on the hit stage play A Soldier for Christmas which opened in the West End from 3 February 1944 and ran for most of the year. It wa...

Every Day Except Christmas

+ intro by Patrick Russell, Senior Curator, BFI National Archive A new wave of documentary art and an affectionate appreciation of the hard-working. Tonight we explore Lindsay Anderson’s landmark ...

The Muppet Christmas Carol (Relaxed Screening)

+ intro and discussion. Michael Caine plays Ebenezer Scrooge in this Christmas comedy favourite that appeals across the generations. The exuberant Muppets take on Dickens’ characters, offering th...

Goltzius and the Pelican Company

+ extended intro by Peter Greenaway (Saturday 10 December screening only) Peter Greenaway, one of the most inventive, ambitious and controversial filmmakers of our time, returns to the cinematic a...

The Incantation of Casanova

As part of our Centenary salute to the BBC, we present this very special screening of a major BBC production that resides in the BFI National Archive. We have remastered sound and visual elements f...

Peter Greenaway in Conversation

Peter Greenaway’s career as an artist, writer and filmmaker has spanned six decades. Throughout, he has consistently challenged established forms of narrative filmmaking, never compromising, while ...

Black Sunday

The often imaginative and stylistically rich world of Italian horror has been enjoying a critical and popular renaissance in recent years, with several marginalised directors of the 1960s and 70s r...

The Shining

+ extended introduction by Lee Unkrich SPOILER WARNING The following notes give away most of the plot. Jack Torrance applies for the job as caretaker at the Overlook Hotel high in the Colorado Ro...

The Lure

Introduced by Dr Catherine Wheatley, Reader in Film Studies at King’s College London Director Agnieszka Smoczyńska on ‘The Lure’ The film’s primary setting is the dance hall in which Silver and ...

Eisenstein in Guanajuato

Peter Greenaway on ‘Eisenstein in Guanajuato’ I discovered the films of Eisenstein by accident when I was 17 in 1959 in an East London cinema. My first amazement was Eisenstein’s Strike, made in 1...

Cat People

Everyone agrees that the title came first: Cat People. In March 1942, Russian-born Val Lewton – formerly a pulp novelist, pornographer, publicist, story editor and second-unit producer – left a jo...

Transness in Horror

Panellists: Sarah Cleary, Fey Kapur, Sam Moore, and Alison Rumfitt will be in conversation, with Jaye Hudson hosting. Many of the twentieth-century’s most notable depictions of gender-nonconformin...

Let the Right One In

According to Mexican maestro Guillermo del Toro, creator of the award-winning Pan’s Labyrinth, it’s ‘a chilling fairytale, as delicate, haunting and poetic a film as you’ll ever see’. For Hollywoo...

Happy Valley

+ Q&A with James Norton, Siobhan Finneran, Will Johnston and Jessica Taylor Sally Wainwright’s multi-BAFTA award winning hit Happy Valley features Sarah Lancashire in her iconic role of Sergea...

Elephant Man

SPOILER WARNING The following notes give away the film’s ending. In 1884, the ‘freak’ John Merrick was discovered in a booth in the Mile End Road by Frederick Treves, chief surgeon at the London ...

The Wizard of Oz

On 13 October 1938 Production No.1060 on the MGM’s Culver City lot went before the cameras. A full six months later than the moneymen wanted, the film had already notched up the kind of budget MGM ...

Nightwatching

Like Nicolas Roeg and Ken Russell, Peter Greenaway is a cinematic adventurist who for several decades wowed the British arthouse with a succession of challenging and deeply idiosyncratic films, onl...

Blue Velvet

SPOILER WARNING The following notes give away some of the plot. Contemporary reviews In terms of David Lynch’s work, Blue Velvet marks a huge leap forward, almost magically establishing him as the...

Night of the Eagle

Growing up with a fascination for the macabre, I sat up alone watching every horror film that turned up on late night TV. My education included the Universal horrors of the 1930s and 40s and Jacque...

Lynch/Oz

A fascinating, multi-perspective documentary that looks at the influence of The Wizard of Oz on the thoughts and working methodology of David Lynch. From The Alphabet to Twin Peaks: The Return the ...