Programme Notes

BFI Southbank

One Fine Morning

SPOILER WARNING The following notes give away the film’s ending. The light-touch naturalism of Mia Hansen-Løve films is always rooted in autobiography. One Fine Morning stems from her experience o...

Take This Waltz

28-year-old Margot is happily married to Lou, a good-natured cookbook author. But when Margot encounters their handsome neighbour Daniel, the mutual attraction between the two is undeniable. Writte...

Lady in the Dark

Paramount production notes for ‘Lady in the Dark’ As a play, Lady in the Dark opened on Broadway on 23 January 1941. It comes to the screen as one of the most lavish and spectacular productions in...

Dead Ringers

+ panel and Q&A with Rachel Weisz, Alice Birch and Britne Oldford. Chaired by Edith Bowman. A modern take on David Cronenberg’s 1988 thriller starring Jeremy Irons, Dead Ringers will feature R...

The Arbor

Clio Barnard on ‘The Arbor’ Let’s talk about Andrea Dunbar first, and why she was of interest to you, in terms of where you come from yourself. I grew up in Yorkshire, near Bradford, so it was a ...

Code Unknown

SPOILER WARNING The following notes give away some of the plot. A youth tosses a wrapper into the lap of a Romanian woman begging in Paris… Haneke’s exploration of the various consequences of this...

Priest

Priest arrived as the Catholic Church was under intense media scrutiny, with an ongoing ‘paedophile priest’ scandal and the ‘outing’ of a number of allegedly homosexual priests by gay pressure grou...

The Lightship

Jerzy Skolimowski on ‘The Lightship’ Somebody brought my attention to Siegfried Lenz’s book, and I thought there was great potential there for a film. There are similarities to Joseph Conrad’s Vict...

The Portrait of a Lady

The Portrait of a Lady bestows on the world one of the greatest heroines in fiction. As read by Campion’s film, Isabel Archer (Nicole Kidman) is a gauche and difficult young American on the brink o...

Letter to Brezhnev

Frank Clarke on ‘Letter to Brezhnev’ There were so many strands and people, so much serendipity and sheer force of will which went into the making of Letter to Brezhnev that, looking back at it now...

Pickpocket

Uncomplainingly jobless in late-50s Paris, Michel starts stealing from strangers, for reasons unclear even to himself. He spouts vague theories about exceptional individuals being above the law – b...

Obsession

+ panel and Q&A with Morgan Lloyd Malcolm, Richard Armitage, Charlie Murphy, Indira Varma and Rish Shah. Chaired by Emma Bullimore. This thrilling and seductive limited series about erotic obs...

Billy Liar

A contemporary review With Billy Liar, John Schlesinger shows us that it is possible to make a film in this country that has movement, energy, grace and charm, that it is possible to make immense c...

Roll On Four O'Clock + Kisses at Fifty

Colin Welland on writing for television Most television viewers remember Colin Welland as the toothy, down-to-earth P.C. Graham of Z-Cars, the BBC series which began in the mid-Sixties. Z-Cars, w...

Identification Marks - None

Made at the Łódz Film School, thanks to planning student exercises so they could be combined into a coherent feature, Skolimowski’s debut introduced his freewheeling style and his alter ego Andrzej...

Correction Please;
or, How We Got into Pictures

+ intro by film historian, Ian Christie In these two films by Noël Burch, the processes of image making are interrogated and playfully subverted through a range of inventive and elusive narrative ...

Nashville

One afternoon in the mid-1970s, I bunked off studies to catch the first screening at the local arts cinema of an American movie set in the capital of country music. After nearly three hours in the ...

Le Départ

The young Polish director Jerzy Skolimowski is probably the most explosive and original filmmaker in Eastern Europe. Recently he visited Denmark, where he wants to shoot his next film, and where I ...

Deep End

I never realised that the organised world of cinema thought it had lost Deep End – you have to be grateful for small mercies, because I’d have been even more upset if I’d heard that rumour when it ...

Of Time and the City

There is something mysterious about Terence Davies’ Liverpool from the outset: at the heart of this meditation on the city lies a tension, between urban change as a process that is brutal and unrem...