Programme Notes

BFI Southbank

No Other Land

No documentarist could reasonably expect their work to change the world overnight. But for the makers of No Other Land, the process involved is a much longer one: this collective, two Palestinians,...

Battleship Potemkin

Eisenstein challenged cinematic form in his second film, an essential revolutionary classic. Dramatising the true story of the mutiny aboard the Potemkin, the filmmaker integrated bold imagery wi...

The War You Don't See

John Pilger: Why are wars not reported honestly? In the US Army manual on counterinsurgency, the American commander General David Petraeus describes Afghanistan as a ‘war of perception … conducted ...

Taxi

SPOILER WARNING The following notes give away some of the plot. This furiously fast and funny action flic flick kick-started one of the most successful franchises in French film history. A non-dri...

The Quiet Mutiny

+ intro and Q&A with author Anthony Hayward When John Pilger reported from Vietnam for his first television documentary, The Quiet Mutiny, directed by Charles Denton, the World in Action film ...

The Pilger Effect

John Pilger believed passionately that great documentaries frighten the powerful, unnerve the compliant and expose the hypocritical. Across a long career, Pilger was called a ‘dangerous subversive’...

The Last Day

+ intro with author Anthony Hayward The story of the United States’ final withdrawal from Vietnam was one that John Pilger was inspired to turn into a screenplay, based on those events that he cov...

RRR

S.S. Rajamouli’s big-budget, reimagined history of two real-life 1920s Indian freedom fighters was a worldwide sensation on its release. From the opening one-man-versus-a-crowd dust-up, RRR (Rise, ...

I Am Not Your Negro

John Pilger’s call to ‘break the silence’ at the Power of the Documentary Festival in Sydney The term ‘documentary’ was coined by the Scottish director John Grierson. ‘The drama of film,’ he said,...

Halloween

In 1978 Halloween was a break with the then-dominant mode of American horror as represented by the likes of George A. Romero, early Wes Craven, Larry Cohen and Shivers-era David Cronenberg. In the ...

Battleship Potemkin

Sergei Eisenstein on ‘Battleship Potemkin’ Every phenomenon has a chance, superficial manifestation. And underlying it is a profound feeling that reason has dictated it. So it was too with the film...

Watership Down

A landmark in British animation, this adaptation of Richard Adams’ novel makes a welcome return to our screens. A building project threatens the tranquil lives of the wildlife residing in a British...

The Room Next Door

Pedro Almodóvar on ‘The Room Next Door’ You’ve described working in English for this film like embarking on a new genre. Yes, like working on a western, or a science-fiction film. But this wasn’t...

Layla

In Amrou Al-Kadhi’s directorial feature debut Layla, the eponymous drag queen (played with great frankness and sensitivity by newcomer Bilal Hasna) lives a life full of fun, though pocked by confli...

Dahomey

Unfortunately director Mati Diop can no longer introduce the film. There will still be further introductions from patrons and organisers prior to the screening. A voice floods the dark screen as i...

Crouching Tiger,
Hidden Dragon

‘Adventure’ would certainly describe Crouching Tiger, Hidden Dragon. But even for seasoned Lee watchers, it’s a touch startling to find a director of his high aesthetic sensibility straying into a ...

The Thief of Bagdad

Producer Alexander Korda originally assigned this Arabian Nights-style adventure – which had been a hit in its 1924 Hollywood version starring Douglas Fairbanks Sr – to the German director Ludwig B...

The Long Kiss Goodnight

+ intro by Melanie Hoyes, BFI Director of Inclusion (Wednesday 23 October) SPOILER WARNING The following notes give away some of the plot. Eight years have passed since Samantha Caine emerged fro...

Bullitt

Peter Yates’ first American movie is memorable less for its plot – about a San Francisco cop trying to track down a crucial witness in a Mafia trial – than for its dramatic use of the city’s locati...

Round Midnight

+ discussion with writers Gary Younge and Caryl Phillips. The screening will be introduced by Caryl Phillips. Bertrand Tavernier on ’Round Midnight ’Round Midnight is a film about Black American ...