Programme Notes

BFI Southbank

Little Otík

+ intro by musician and Starve Acre composer Matthew Herbert (Wednesday 4 September only) Jan Svankmajer on ‘Little Otík’ Little Otík is based on a folk tale best known from the version by K.J. Er...

Alice

Although a declared admirer of Lewis Carroll as the inadvertent pioneer of surrealism, Jan Svankmajer firmly tells the Alice story his own way, much as one would expect. Like an extended reconstruc...

A Fishy Story

Cheung stars as an aspiring actress who befriends her neighbour, a struggling unlicensed cab driver. Set against the backdrop of the 1967 riots, it is a turbulent yet playful and romantic Breakfast...

Les Demoiselles de Rochefort

The screening on Wednesday 2 October will be introduced by film and talks programmer and writer Nadia M. Oliva. With a plot of pure Shakespearean farce, witty dialogue and lyrics by Demy, and a ma...

The Rebel

Ray Galton and Alan Simpson on Hancock’s ‘The Rebel’ When did you first meet Tony Hancock? We first met Tony Hancock in the stalls of the Paris Cinema, Lower Regent Street, in October 1951, during...

The Piano

SPOILER WARNING The following notes give away some of the plot. For a while I could not think, let alone write, about The Piano without shaking. Precipitating a flood of feelings, The Piano deman...

Dead of Night

Horror films or stories of the supernatural were little attempted in British cinema prior to the days of Hammer in the 1950s. There are the exceptions of course, such as The Ghoul (1933) and Dark E...

Shooting Stars

‘Not until Peeping Tom (1960) over 30 years later did a British film so knowingly and so effectively turn its own camera on itself. It is a young man’s film, the first effort of someone representat...

Lee

+ Q&A with Kate Winslet hosted by broadcaster Anna Smith. Elizabeth ‘Lee’ Miller, born in 1907 in Poughkeepsie, New York was, as Kate Winslet explains, ‘An unstoppable force of nature with a t...

The Draughtsman’s Contract

Peter Greenaway on ‘The Draughtsman’s Contract’ The Draughtsman’s Contract. A film that is 40 years old. Made in 1982 about events in 1694. Elaborate, stylised, enjoyable, spiteful and mysterious, ...

Dougal and the Blue Cat

The arrival of Buxton the Blue Cat throws Dougal, Florence and friends into turmoil. His desire for control and obsession with Blue sees Buxton become increasingly powerful, proclaiming that everyt...

Sing Sing

Filmmakers Greg Kwedar and Clint Bentley began their careers together in the early 2010s, having met after graduating from university and finding they shared similar interests in telling stories of...

Starve Acre

+ Q&A with director Daniel Kokotajlo and actors Morfydd Clark and Robert Emms Daniel Kokotajlo on ‘Starve Acre’ What first drew you to Andrew Michael Hurley’s novella? I like Andrew’s affini...

Who in da Mornin

We are delighted that the director of Who in da Mornin , Jonathan Isaac Jackson, will introduce this screening and attend a Q&A. We are also very pleased to announce that Mario Gousse will joi...

The Turin Horse

A contemporary review The inevitable question confronting any artist of stature as the twilight years close in: will the inspiration fade away; and if so when? And concomitantly: should I call time...

D.E.B.S.

+ panel discussion and Zoom Q&A with director Angela Robinson Amy is a top student at the D.E.B.S. academy for elite spies in training, but when tasked with taking down notorious supervillain ...

Pulp Fiction (30th Anniversary)

SPOILER WARNING The following notes give away some of the plot. It looks like a tribute to Quentin Tarantino’s fast rise to fame that he has managed to draw quite such a varied crowd of names for ...

Kneecap

Deftly fusing the sublime with the ridiculous, this ketamine-fuelled adrenaline ride through the back streets of Belfast sees the most unlikely of figureheads propelled to the front of a movement t...

Forbidden

+ intro by film critic Phuong Le Producer/director George King is a figure who has been unjustly neglected by British cinema historians. Often described as ‘King of the Quota Quickies’, he is gene...

The Pirates! In an Adventure with Scientists!

+ Q&A with director Peter Lord ‘I loved pirate stories when I was a boy – particularly Treasure Island,’ says two-time Academy Award nominee Peter Lord, a co-founder of Aardman and the directo...