Programme Notes

BFI Southbank

Sleep

‘Someone’s inside.’ Sleep begins with an ominous phrase muttered by Hyun-su, Soo-jin’s husband, when he wakes up one night. This phrase sets in motion a series of events that completely overturn th...

Bushman

Combining drama and documentary, Bushman follows the fate of a youth, escaping from Civil War in Nigeria and arriving in California at the tail end of the 60s countercultural revolution. It’s full ...

Threads

This remarkable television production, imagining how a nuclear war might unfold, remains one of the most shocking and devastating films ever to air in the UK. Combining documentary-style realism an...

The Nature of Love

Philosophy professor Sophia has been living with her partner Xavier for ten years. Their relationship is intellectually stimulating; however, when she meets rugged carpenter Sylvain, an intense phy...

Yojimbo

Kurosawa on ‘Yojimbo’ For a long time I had wanted to make a really interesting film – and it finally turned into this picture. The story is so ideally interesting that it’s surprising no one else ...

Theorem

Introduced by Espen Bale, BFI National Archive (Wednesday 10 July only). Pier Paolo Pasolini was a man of many qualities and contradictions – oft-noted when folks point to the strangeness of an at...

Rashomon

Unreliable narration is taken to a new level in this landmark film, one of Akira Kurosawa’s finest, which introduced post-war Japanese cinema to international audiences. A murder takes place in a f...

A Woman under the Influence

John Cassavetes had complete disdain for the idea of cinema as escapism. He didn’t believe in making films that went down easily, or that reassured with their familiar tropes and happy endings. Sc...

Le Charme discret
de la bourgeoisie

A contemporary review If Le Charme discret de la bourgeoisie registers as the funniest Buñuel film since L’Age d’or, probably the most relaxed and controlled film he has ever made, and arguably the...

Bled Number One

Rabah Ameur-Zaïmeche on ‘Bled Number One’ The film features Kamel, the hero of your previous film Wesh, Wesh , in which he had just returned to France having been deported to Algeria after serving...

The Adventures of Robin Hood

What’s it about? Sir Robin of Locksley becomes an outcast after standing-up to the corrupt rule of Prince John. He takes refuge in Sherwood Forest, where he joins forces with a group of outlaws i...

Requiem for a Dream

Darren Aronofsky’s Requiem for a Dream is as bravura a display of filmmaking as you’re likely to see; an exhibition of poised expressionist swagger beside which the pyrotechnics of David Fincher se...

Kinds of Kindness

In Yorgos Lanthimos’s comic epic fantasy Poor Things (2023), Emma Stone was electrifying as a Frankensteinian creature, Bella Baxter – a deceased pregnant woman, reanimated with the transplanted br...

The Conversation

I had been terrified by the whole Orwellian dimension of electronic spying and the invasion of privacy when I started The Conversation. I realised that a bugging expert was a special breed of man, ...

Au hasard Balthazar

+ intro by Lou Thomas, BFI Digital Production Editor and film critic (Wednesday 31 July only) SPOILER WARNING The following notes give away some of the plot. Robert Bresson drafted the rules of a...

The Passenger

SPOILER WARNING The following notes give away the film’s ending. Michelangelo Antonioni is, to say the least, not widely recognised as a humorous director. But The Passenger (1975) – in which a ma...

The Lighthouse

+ intro by Giulia Saccogna, Programme & Research Coordinator Set on the fringes of an unspecified war, Lena returns home to an attractive and traditional mountain village in the Caucasus in an...

Taxi Driver

+ intro by Chantelle Lavel Boyea, BFI Assistant Curator of Television (Wednesday 3 July only) SPOILER WARNING The following notes give away some of the plot. New York in the 1970s as seen through...

An American Werewolf in London

+ intro by Griffin Dunne As they make their way across the Yorkshire Moors, two backpacking US students are attacked by a ferocious creature. Only one of them survives and on arriving in London he ...

Pierrot le fou

It would be as hard to remake Pierrot le fou as it would be to forget it. Somehow its rueful lovers have to be reconciled to changed times. The film is 44 years old now [at time of writing], which ...