Programme Notes

BFI Southbank

The Watcher in the Woods

What’s it about? Disney’s supernatural family thriller sees an American family move into a manor in the English countryside. The owner (Davis) now lives in a house next door and notices a resemblan...

Cinema Paradiso

Over the years, it became commonplace for Morricone’s scores to be the best thing about a film or programme, whether it was the delicate ‘Chi Mai’ for Jerzy Kawalerowicz’s Maddalena (1971) or the p...

Ailey

+ pre-recorded Q&A with director Jamila Wignot The multi-hyphenate dancer, choreographer, director Alvin Ailey gets the documentary treatment from director Jamila Wignot. Premiering at S.O.U.L...

Rebel Dread

+ Pre-recorded Q&A with Don Letts S.O.U.L Fest 2021 are proud to present the first UK festival screening of Rebel Dread, the story of Don Letts, the iconic cultural mover and shaker, filmmaker...

Dead Ringer

A pair of estranged identical twins reunite after 18 years apart, having both fallen out over the same man. One is wealthy and the other is financially struggling, but any hope of a reconciliation ...

Censor

Censor has its roots in the 2015 short Nasty, which Prano Bailey-Bond pitched to the BFI Short Film Fund as a pilot for her feature. The BFI funding never came through, but the short progressed non...

Big Wednesday

SPOILER WARNING The following notes give away some of the plot. Near the conclusion of Big Wednesday, an awed young surfer stares out at a fearsome swell – waves like crumbling tower blocks. ‘It’...

Once upon a Time in America

In between shooting Once upon a Time in the West (1968) and A Fistful of Dynamite (1971), Leone fell in love with a 400-page novel about Jewish gangsters, The Hoods. Harry Grey, the author’s pseudo...

Great Noises That Fill the Air

Tonight’s DVD launch event will include a post-screening conversation between cultural producer, writer and musician Chardine Taylor Stone and journalist, broadcaster and author Kevin Le Gendre. T...

The Wit and Wisdom of A.A. Milne

Most of us know the stories and poems of A.A. Milne, creator of Winnie the Pooh. Here is a rare chance to experience more of his unique humour in two silent comedies made a century ago, playing alo...

The Star

SPOILER WARNING The following notes give away some of the plot. In a role said to have been based on her nemesis Joan Crawford, Bette Davis plays Margaret, a struggling movie star desperate to re...

The Hateful Eight

Quentin Tarantino had frequently repurposed Morricone cues for his own pictures, with Navajo Joe (1966) and Death Rides a Horse (1967) surfacing in Kill Bill: Vol.1 (2003) and the music for Revolve...

Thunder on Sycamore Street

Followed by a discussion with actor Ashley Walters, novelist and screenwriter Stephen S. Thompson, arts producer and TV historian John Wyver, and casting director Carolyn McLeod. Chaired by season ...

A Fear of Strangers +
The Chocolate Tree

Written by Leon Griffiths, whose later credits include Minder, A Fear of Strangers was written in 1958 but banned for six years by the Independent Television Authority, over concerns about Chief In...

Almost Famous

It’s been four years since Cameron Crowe’s last – and best – film Jerry Maguire. But during that period he hasn’t been idle: returning to his journalistic roots, he found time to put together a 370...

Tie Me Up! Tie Me Down!
(Átame!)

Almodóvar’s very dark romantic comedy concerns a troubled man who kidnaps an actress in the belief that they are destined to be together. An imaginative contemporary variation on the Beauty and th...

Cutter's Way

The mysteries were always there. From the first trance gestures of the opening credits of Ivan Passer’s Cutter’s Way, it was clear something special and hypnotic was happening: the slo-mo dance of ...

Matewan

SPOILER WARNING The following notes give away some of the plot. Ever since he made his directing debut with Return of the Secaucus Seven in 1979, John Sayles’s reputation has rested largely on bo...

I’m Your Man
(Ich bin dein Mensch)

When Ira Levin wrote The Stepford Wives the world was a very different place. The 1972 society he satirised wasn’t reliant on pocket-sized technology and patriarchal hierarchies were woefully rigid...

Days of Heaven

Despite being second choice after guitarist Leo Kottke opted to write songs rather than the entire score, Morricone received his first Oscar nomination for Terrence Malick’s elegiac tale of the Tex...