Programme Notes

BFI Southbank

Riddance
(Szabad lélegzet)

Woman with a Movie Camera presents the world restoration premiere of Riddance + pre-recorded extended intro by Márta Mészáros. SPOILER WARNING The following notes give away some of the plot. Ridd...

Pinky

Please note: these articles contain language or other content that reflect views prevalent in its time, but that may cause offence today. The articles are included here for historical or cultural r...

Chungking Express
(Chung Hing sam lam)

‘I can honestly say, probably more than any other movie in the last two years, no movie spoke to me, got under my skin, just made me fall in love with it. I’ve seen Chungking Express several times,...

Ashes of Time Redux
(Dung che sai duk)

In all its reincarnations between 1994 and today, Wong Kar Wai’s martial-arts genre-project Ashes of Time, a tale of soured love and swordsmen, has always been a film about change, and the trials a...

Tove

Director Zaida Bergroth on ‘Tove’ Tove Jansson is such a popular figure around the world, but especially in Finland. Can you tell us about your first encounter with her work? I have this book, Fi...

Jumbo

Zoé Wittock’s debut feature is a disarmingly enchanting psychosexual tale of a young woman who falls in love with a fairground ride. Jeanne Tantois (Noémie Merlant, Portrait of a Lady on Fire) live...

The Gingerbread Man

A contemporary review John Grisham is a true publishing phenomenon and Hollywood has been eager to turn his stories into movies, especially after the massive success of Sydney Pollack’s version of ...

Fallen Angels
(Do lok tin si)

Initially developed as part of Chungking Express, Fallen Angels shares a similar freewheeling spirit but it’s a much darker and moodier affair, exploring the nocturnal lives of assassins, femme fat...

Another Round (Druk)

Breezy and boozy, joyful and melancholic, occasionally wild and often wise, Thomas Vinterberg’s Another Round is a heady cocktail swiftly downed, with a late kick like a particularly euphoric mule....

Days of Being Wild
(Ah Fei jing juen)

+ pre-recorded intro by season programmer Ann Lee Leslie Cheung gives a magnificent performance as a rakish playboy in the 1960s searching for identity while callously breaking hearts. Wong hit hi...

Don’t Cry, Pretty Girls!
(Szép lányok ne sírjatok)

Music drives this loose narrative of youth culture with a romance at its heart. Searching for their identity, a group of friends explore new ways to live, seeking independence from state and patria...

Distant Voices
Still Lives

Terence Davies makes films in instalments. The 100-minute Trilogy – Children, Madonna and Child, Death and Transfiguration – which was begun in 1976 took eight years to complete. It won the 1984 BF...

As Tears Go By
(Wong Gok ka moon)

Wong Kar Wai’s impressive debut feature may seem like a conventional Hong Kong triad drama on the surface but it offers glimpses of what would become his distinctive signature style. This atmospher...

Trottie True
(aka The Gay Lady)

Introduced by BFI Curator Josephine Botting. Based on a popular 1946 novel, Trottie True can be related to the Victorian music-hall world of Champagne Charlie (d. Alberto Cavalcanti, 1944) and Gai...

Cookie's Fortune

SPOILER WARNING The following notes give away some of the plot. ‘Aunt Jewell was murdered!’ Except she wasn’t (and it’s no spoiler to say so). Rather, the murder plot is an elaborate ruse concoct...

Binding Sentiments (Holdudvar)

SPOILER WARNING The following notes give away some of the plot. From the opening ‘Scope tracking shot across the airfield it’s clear that this is a film about observation. Kati Kovács plays the f...

The Girl +
Introducing Márta Mészáros

Once a major European cinema name, but comparatively neglected since the early 1990s, Márta Mészáros has long been overdue a revival. If the upcoming 90th birthday retrospective at BFI Southbank in...

Short Cuts

The last word spoken in Robert Altman’s film Short Cuts is ‘lemonade’: we hear it as the camera tracks out over a briefly shaken Los Angeles, as two partying couples toast to survival in the face o...

Kansas City

Part of Robert Altman’s 1990s comeback, but made directly after the catwalk wobble of Prêt-à-porter (1994), Kansas City is a tale of jazz, kidnapping and gangsters set in the eponymous Missouri cit...

Binti

Binti, a 12-year-old girl, was born in Congo but has lived with her father Jovial in Belgium since she was a baby. Despite not having any legal documents, Binti wants to live a normal life, and dre...