Programme Notes

BFI Southbank

First Cow

There have been many genteel scenes in westerns in the past but none so winningly genteel as the whole of First Cow. Kelly Reichardt and Jonathan Raymond’s screenplay is based on Raymond’s novel Th...

The Gleaners and I

With a pre-recorded introduction by director Zhu Shengze. Agnès Varda describes her latest film, The Gleaners and I, as a ‘wandering road documentary’. While it covers some of the same ground as V...

Goodbye, Dragon Inn

Introduced by director Peter Strickland (26 May screening only). Tsai Ming-liang on dream palaces and ‘Goodbye, Dragon Inn’ Taiwan Movie theatres are like temples. You will always meet a true god...

Alice in the Cities

Wim Wenders’ first road movie contrives a situation whereby an emotionally detached photojournalist ends up chaperoning a precocious nine-year-old girl from New York to their native Germany via Ams...

3 Women

3 Women literally came from a dream. It didn’t come from a dream in the way that I dreamed this, what I dreamed was that I was making this film. Or was going to. Catherine, my wife, had gone in to ...

Syndromes and a Century

With a pre-recorded introduction by director Chaitanya Tamhane. Considering the challenges it poses, Syndromes and a Century is an exceptionally easy and pleasurable watch. Apichatpong Weerasethak...

Robert Altman, Outsider and Innovator - An Illustrated Online Talk

How strange it is to be writing this programme note! In the past, the talks I gave for BFI seasons were in the NFT cinemas, delivered to an audience sitting in the auditorium from behind a lectern ...

Magnificent Obsession + Fear Eats the Soul

Introduction by Heather Stewart, BFI Creative Director (Sunday 23 May only). SPOILER WARNING The following notes give away some of the plot. Both John M. Stahl’s 1935 version and Douglas Sirk’s l...

The Long Goodbye

SPOILER WARNING The following notes give away some of the plot. Leigh Brackett was one of the few women to publish science fiction in the pulp magazine era, albeit under a gender-neutral byline. ...

The Big City

Based on a short story by Narendranath Mitra, The Big City tells a relatable story about fear and courage, with a loveable protagonist offering a female point-of-view on issues such as money, labou...

Beau Travail

With a pre-recorded introduction by director Kirsten Johnson. SPOILER WARNING The following notes give away some of the plot. Directed by Claire Denis, and scripted by Denis and her regular writi...

The Wonders

With a pre-recorded introduction by director Mark Cousins. Director Alice Rohrwacher on ‘The Wonders’ With Nanni Moretti, Paolo Sorrentino and Matteo Garrone still wondering how they managed to r...

Steamboat Bill, Jr.

Steamboat Bill, Jr., like The Cameraman, displays a mastery of mise-en-cadre which no other comedies have equalled. The difficulty lies in choosing only a few illustrations from a film in which eve...

The Human Voice

+ Pre-recorded intro and Q&A with Pedro Almodóvar and Tilda Swinton Madness and melancholy intersect to thrilling effect as Almodóvar reimagines Jean Cocteau’s short play The Human Voice for a...

Hair

With a pre-recorded introduction by director Kleber Mendonça Filho. ‘I didn’t understand a word of it because of my bad English but I loved the music and loved the whole spirit of the piece,’ Milo...

Dreamgirls

Bill Condon’s Dreamgirls reaches the UK on a wave of nods and awards that includes Golden Globe wins for newcomer Jennifer Hudson and the film itself, and a raft of Oscar nominations. A dazzling mu...

Cléo from 5 to 7

SPOILER WARNING The following notes give away some of the plot. Agnès Varda came up the hard way. Starting as official photographer for the Théâtre National Populaire, she somehow managed to finan...

Beginning

With a pre-recorded introduction by director Luca Guadagnino. Director Dea Kulumbegashvili on ‘Beginning’ Beginning is a profoundly mysterious film – full of surprises, even shocks, but with very...

Rare Beasts

+ Q&A with writer-director Billie Piper (on Saturday 22 May only). Mandy (Billie Piper) is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son, Larch (Toby Woolf...

McCabe & Mrs. Miller

SPOILER WARNING The following notes give away some of the plot. Disconcertingly, after the tuneless rendering of the Star Spangled Banner that introduced Brewster McCloud, or the ‘Tokyo Rose’ tra...