Programme Notes

BFI Southbank

Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean

The director of Nashville, A Wedding, The Perfect Couple is dead. Long live the director of 3 Women, Quintet – and Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean. Well, not exactly… In the st...

A Perfect Couple

Not uncharacteristically of Altman, A Perfect Couple grew out of the jetsam of his professional life: in this case, a desire to further explore Paul Dooley and Marta Heflin (who had played small pa...

Images

Altman on ‘Images’ Robert Altman was in London in February, cutting his new film, Images. To help audiences to stop thinking of him as the man who made MASH (and to forestall their indignation wh...

Mavis!

‘Mavis gets a little rough sometimes,’ Bob Dylan once said of the young Mavis Staples, according to the woman herself. He was referring to the unexpected grittiness in Staples’s singing voice, one...

Broadcast News

With a pre-recorded introduction by director Sarah Smith (30 May only). Twenty-four years on, this witty, whip-smart rom-com following the fraught TV newsroom love triangle of Holly Hunter’s perky...

Brewster McCloud

Brewster McCloud registers as an honourable failure: a species of crazed doodling with all the awkward, endearing earmarks of a promising ‘first’ film, in which a director tries to do and say every...

That Cold Day in the Park

SPOILER WARNING The following notes give away some of the plot. Robert Altman had been working as a director for close to 20 years before he had a big hit with MASH (1970), and he followed that co...

The James Dean Story

After an inauspicious first feature (The Delinquents, which Altman preferred not to be screened), he co-directed this rather poetic documentary portrait of the life and character of the star and cu...

Man Hunt

Adapted – somewhat loosely – by Dudley Nichols from Geoffrey Household’s Rogue Mail, Fritz Lang’s thriller, set on the eve of WWII, centres on a big-game hunter (Pidgeon) arrested by the Gestapo af...

First Cow

There have been many genteel scenes in westerns in the past but none so winningly genteel as the whole of First Cow. Kelly Reichardt and Jonathan Raymond’s screenplay is based on Raymond’s novel Th...

The Gleaners and I

With a pre-recorded introduction by director Zhu Shengze. Agnès Varda describes her latest film, The Gleaners and I, as a ‘wandering road documentary’. While it covers some of the same ground as V...

Goodbye, Dragon Inn

Introduced by director Peter Strickland (26 May screening only). Tsai Ming-liang on dream palaces and ‘Goodbye, Dragon Inn’ Taiwan Movie theatres are like temples. You will always meet a true god...

Alice in the Cities

Wim Wenders’ first road movie contrives a situation whereby an emotionally detached photojournalist ends up chaperoning a precocious nine-year-old girl from New York to their native Germany via Ams...

3 Women

3 Women literally came from a dream. It didn’t come from a dream in the way that I dreamed this, what I dreamed was that I was making this film. Or was going to. Catherine, my wife, had gone in to ...

Syndromes and a Century

With a pre-recorded introduction by director Chaitanya Tamhane. Considering the challenges it poses, Syndromes and a Century is an exceptionally easy and pleasurable watch. Apichatpong Weerasethak...

Robert Altman, Outsider and Innovator - An Illustrated Online Talk

How strange it is to be writing this programme note! In the past, the talks I gave for BFI seasons were in the NFT cinemas, delivered to an audience sitting in the auditorium from behind a lectern ...

Magnificent Obsession + Fear Eats the Soul

Introduction by Heather Stewart, BFI Creative Director (Sunday 23 May only). SPOILER WARNING The following notes give away some of the plot. Both John M. Stahl’s 1935 version and Douglas Sirk’s l...

The Long Goodbye

SPOILER WARNING The following notes give away some of the plot. Leigh Brackett was one of the few women to publish science fiction in the pulp magazine era, albeit under a gender-neutral byline. ...

The Big City

Based on a short story by Narendranath Mitra, The Big City tells a relatable story about fear and courage, with a loveable protagonist offering a female point-of-view on issues such as money, labou...

Beau Travail

With a pre-recorded introduction by director Kirsten Johnson. SPOILER WARNING The following notes give away some of the plot. Directed by Claire Denis, and scripted by Denis and her regular writi...