Programme Notes

BFI Southbank

The Wonders

With a pre-recorded introduction by director Mark Cousins. Director Alice Rohrwacher on ‘The Wonders’ With Nanni Moretti, Paolo Sorrentino and Matteo Garrone still wondering how they managed to r...

Steamboat Bill, Jr.

Steamboat Bill, Jr., like The Cameraman, displays a mastery of mise-en-cadre which no other comedies have equalled. The difficulty lies in choosing only a few illustrations from a film in which eve...

The Human Voice

+ Pre-recorded intro and Q&A with Pedro Almodóvar and Tilda Swinton Madness and melancholy intersect to thrilling effect as Almodóvar reimagines Jean Cocteau’s short play The Human Voice for a...

Hair

With a pre-recorded introduction by director Kleber Mendonça Filho. ‘I didn’t understand a word of it because of my bad English but I loved the music and loved the whole spirit of the piece,’ Milo...

Dreamgirls

Bill Condon’s Dreamgirls reaches the UK on a wave of nods and awards that includes Golden Globe wins for newcomer Jennifer Hudson and the film itself, and a raft of Oscar nominations. A dazzling mu...

Cléo from 5 to 7

SPOILER WARNING The following notes give away some of the plot. Agnès Varda came up the hard way. Starting as official photographer for the Théâtre National Populaire, she somehow managed to finan...

Beginning

With a pre-recorded introduction by director Luca Guadagnino. Director Dea Kulumbegashvili on ‘Beginning’ Beginning is a profoundly mysterious film – full of surprises, even shocks, but with very...

Rare Beasts

+ Q&A with writer-director Billie Piper (on Saturday 22 May only). Mandy (Billie Piper) is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son, Larch (Toby Woolf...

McCabe & Mrs. Miller

SPOILER WARNING The following notes give away some of the plot. Disconcertingly, after the tuneless rendering of the Star Spangled Banner that introduced Brewster McCloud, or the ‘Tokyo Rose’ tra...

The Last Picture Show

SPOILER WARNING The following notes give away some of the plot. Released in 1971 amidst the dope-fuelled rush of the New Hollywood, Peter Bogdanovich’s second feature The Last Picture Show was in ...

David Byrne's
American Utopia

Introduced by Tricia Tuttle, BFI Festivals Director (Friday 21 May only). David Byrne on ‘American Utopia’ Thirty-six years after Talking Heads and director Jonathan Demme changed the idea of wha...

County Lines

As drug-related activity has fanned out from major metropolitan centres to provincial areas, the term ‘county lines’ has recently been much used in the UK media. It was perhaps inevitable that Brit...

Car Wash

Introduced by director Gurinder Chadha (Friday 21 May screening only). ‘Car Wash’: a contemporary review At a time when many of the old-style forms of community-minded entertainment have virtuall...

California Split

SPOILER WARNING The following notes give away some of the plot. In the remarkable unbroken panning shot at the beginning of Thieves like Us – with the convicts glimpsed at the start of its parabo...

Footloose

With a pre-recorded introduction by director Francis Lee. Kevin Bacon plays Ren MacCormack, a city teen who relocates from Chicago to the Midwest sticks, where he finds that rock music and dancing...

L'eclisse

SPOILER WARNING The following notes give away some of the plot. I was 15 when I first saw Antonioni’s L’eclisse. It was screened for only one afternoon at the Tooting Classic. I skipped school ga...

The Cook, the Thief, His Wife & Her Lover

Introduced by Justin Johnson, BFI Lead Programmer (Thursday 20 May only). Eating is a constant theme in the films of Alfred Hitchcock. More oddly, as Donald Spoto observed in his biography, lavato...

Booksmart

‘It’s hilarious and just wonderful! It’s such a great film in terms of representation, and not clichéd at all’. Emilie Cunning, BFI Member In a long line of teen comedies mostly set over the cours...

Siren of the Tropics

Siren of the Tropics may feature one of America’s greatest stars, but it’s a film that could never have been made in America at the time, or for decades later. In the silent era, Anna May Wong set ...

The Shout

With a pre-recorded introduction by director Mark Jenkin. Jeremy Thomas on ‘The Shout’ I came back to England via a short stay in America, and a friend called Michael Austin, who has since writte...