Programme Notes

BFI Southbank

Au hasard Balthazar

SPOILER WARNING The following notes give away some of the plot. Robert Bresson drafted the rules of a new cinema and realised them in Au hasard Balthazar, his masterpiece. This seemingly aloof, co...

Jeanne Dielman
23, Quai du Commerce, 1080 Bruxelles

SPOILER WARNING The following notes give away some of the plot. Such a sudden shake-up at the top of Sight and Sound ’s ten-yearly poll! Chantal Akerman’s Jeanne Dielman 23, Quai du Commerce, 108...

Haunted Engines - UNICA and Other Films from Computer Generated Worlds

+ Q&A with Blaise Kirschner UNICA is the new, eagerly anticipated film by Blaise Kirschner, a personally absorbing exploration of post-apocalyptic game worlds that merges current forms of digi...

Daisies + Meshes in the Afternoon

Daisies An early short film by Vera Chytilová bears the title A Bagful of Fleas (1962), an evocative image that neatly describes the intended effect of much of the work of Czech cinema’s arch-provo...

Throne of Blood
(Relaxed Screening)

+ intro and discussion The ruins of the former Spiders Web Castle emerge from the mist for the second relaxed screening in our Kurosawa season. But why exactly has the castle met such a fate and...

Creature

The latest production choreographed by Akram Khan with the English National Ballet, Creature, has taken several years to arrive on stage. When it looked like the show might never come to life, dire...

Broker

Hirokazu Koreeda’s Cannes-winning feature, his first to be shot in Korea, focuses on the semi-illicit world of adoption markets. So-young leaves her recently born child at a church where Dong-soo w...

Shadow

Director’s Statement Shadow uses a combination of dramatic and documentary-style elements to tell the story of a group of activists who hold a public meeting only to discover their own prejudices a...

The Apartment

SPOILER WARNING The following notes give away the film’s ending. Billy Wilder and IAL Diamond’s sharp, cynical script concerns an insurance clerk (Jack Lemmon) who, bent on promotion, lends his ap...

A.K.

Notoriously media-shy, Kurosawa gave Marker permission to film the making of Ran. As his earlier Sans Soleil highlighted, the acclaimed French filmmaker was intrigued by Japanese culture and behavi...

The Strays

+ Q&A with writer-director Nathaniel Martello-White and actors Ashley Madekwe, Bukky Bakray, Jorden Myrie, Maria Almeida and Samuel Small SPOILER WARNING The following notes give away some of ...

Madadayo

Just as the camera had panned down in the opening moments of Sanshiro Sugata [Akira Kurosawa’s first film], so it pans back up at the conclusion of Madadayo as a small boy raises his head to a swir...

Yojimbo

Introduced by Asif Kapadia, season co-curator (Thursday 23 February only) Kurosawa on ‘Yojimbo’ For a long time I had wanted to make a really interesting film – and it finally turned into this pic...

You Won't Be Alone

When writer and director Goran Stolevski took home the 2018 Sundance Festival prize for his short film Would You Look at Her, it immediately attracted the attention of producers Kristina Ceyton and...

Subject

+ Q&A with directors Camilla Hall and Jennifer Tiexiera, and contributor Margaret Ratliff, hosted by Kim Longinotto The advent of streaming has seemingly ushered in a golden era for documentar...

Friends and Strangers

James Vaughan’s remarkable debut feature is on its surface an indie mumblecore-influenced comedy about intertwined young lives, set between Sydney and Brisbane. But its simplicity is deceptive, and...

Dersu Uzala

Introduced by Ian Haydn Smith, season co-curator (Thursday 16 February) and by Doug Weir, BFI Technical Delivery Manager (Monday 27 February) From Rashomon (1950) to Yojimbo (1961), Akira Kurosawa...

Summer of Sam

+ intro by Spike Lee A contemporary review Summer of Sam, set in New York during the heatwave of 1977 when serial killer David Berkowitz was terrorising the city, has been largely misrepresented b...

Spike Lee
in Conversation

Director, writer, actor, producer, author and NYU Grad Film tenured professor Spike Lee is to receive a BFI Fellowship, the highest honour bestowed by the BFI. The fellowship recognises Lee’s pione...

The Parent Trap

In Nancy Meyers’ fun remake of The Parent Trap (1961), identical twins Hallie and Annie, separated at birth after their parents’ divorce, accidentally discover each other, some years later, at a su...