Programme Notes

BFI Southbank

Rita, Sue and Bob Too

‘The film that turned the festival blue’ was one shocked tabloid’s verdict on Alan Clarke’s bleakly bawdy comedy about a married man bedding his teen babysitters, which scandalised the Brighton Fil...

The Man without Desire

+ intro by Josephine Botting, BFI Curator and author of Adrian Brunel and British Cinema of the 1920s , published by Edinburgh University Press. One of the stranger films to emerge from Britain in...

11 Minutes

Skolimowski’s formidable conceptual and technical skills get their most intensive workout here, as initially unconnected stories (an attempted seduction, a crime, a chase, a painting in progress) g...

Play for Today - Comedians

‘Comedy is medicine. Not sugared sweeties to rot yer teeth.’ In the early Seventies, a regular Saturday night ratings winner was Granada’s cheap and cheerful half-hour show The Comedians. Sporting...

Raging Bull

Sitting in a movie theatre as the credits rolled on The Death Collector (1975), Raging Bull’s casting director Cis Corman felt they could have found their Joey LaMotta. The film hadn’t made much of...

One Fine Morning

SPOILER WARNING The following notes give away the film’s ending. The light-touch naturalism of Mia Hansen-Løve films is always rooted in autobiography. One Fine Morning stems from her experience o...

Take This Waltz

28-year-old Margot is happily married to Lou, a good-natured cookbook author. But when Margot encounters their handsome neighbour Daniel, the mutual attraction between the two is undeniable. Writte...

Lady in the Dark

Paramount production notes for ‘Lady in the Dark’ As a play, Lady in the Dark opened on Broadway on 23 January 1941. It comes to the screen as one of the most lavish and spectacular productions in...

Dead Ringers

+ panel and Q&A with Rachel Weisz, Alice Birch and Britne Oldford. Chaired by Edith Bowman. A modern take on David Cronenberg’s 1988 thriller starring Jeremy Irons, Dead Ringers will feature R...

The Arbor

Clio Barnard on ‘The Arbor’ Let’s talk about Andrea Dunbar first, and why she was of interest to you, in terms of where you come from yourself. I grew up in Yorkshire, near Bradford, so it was a ...

Code Unknown

SPOILER WARNING The following notes give away some of the plot. A youth tosses a wrapper into the lap of a Romanian woman begging in Paris… Haneke’s exploration of the various consequences of this...

Priest

Priest arrived as the Catholic Church was under intense media scrutiny, with an ongoing ‘paedophile priest’ scandal and the ‘outing’ of a number of allegedly homosexual priests by gay pressure grou...

The Lightship

Jerzy Skolimowski on ‘The Lightship’ Somebody brought my attention to Siegfried Lenz’s book, and I thought there was great potential there for a film. There are similarities to Joseph Conrad’s Vict...

The Portrait of a Lady

The Portrait of a Lady bestows on the world one of the greatest heroines in fiction. As read by Campion’s film, Isabel Archer (Nicole Kidman) is a gauche and difficult young American on the brink o...

Letter to Brezhnev

Frank Clarke on ‘Letter to Brezhnev’ There were so many strands and people, so much serendipity and sheer force of will which went into the making of Letter to Brezhnev that, looking back at it now...

Pickpocket

Uncomplainingly jobless in late-50s Paris, Michel starts stealing from strangers, for reasons unclear even to himself. He spouts vague theories about exceptional individuals being above the law – b...

Obsession

+ panel and Q&A with Morgan Lloyd Malcolm, Richard Armitage, Charlie Murphy, Indira Varma and Rish Shah. Chaired by Emma Bullimore. This thrilling and seductive limited series about erotic obs...

Billy Liar

A contemporary review With Billy Liar, John Schlesinger shows us that it is possible to make a film in this country that has movement, energy, grace and charm, that it is possible to make immense c...

Roll On Four O'Clock + Kisses at Fifty

Colin Welland on writing for television Most television viewers remember Colin Welland as the toothy, down-to-earth P.C. Graham of Z-Cars, the BBC series which began in the mid-Sixties. Z-Cars, w...

Identification Marks - None

Made at the Łódz Film School, thanks to planning student exercises so they could be combined into a coherent feature, Skolimowski’s debut introduced his freewheeling style and his alter ego Andrzej...