Programme Notes

BFI Southbank

Luminaries

+ intro and Q&A with Dishoom co-founder Shamil Thakrar, director Sanvir Singh, history teacher Shalina Patel and film producer Ramneet Baidwan, moderated by Ashvin Devasundaram (Senior Lecture...

Persepolis

Based on Marjane Satrapi’s autobiographical graphic novels about a young girl growing up in Tehran around the time of the 1979 Iranian revolution, the big-screen Persepolis – which Satrapi co-direc...

Plan 75

In a near-future world, the Japanese government introduces a measure to combat an ageing population. Participants who have passed the age of 75 will receive remuneration for signing up to a euthana...

Le Jour se lève

SPOILER WARNING The following notes give away the film’s ending. Released in June 1939, Le Jour se lève marks a high point for director Marcel Carné, dialogue writer Jacques Prévert, set designer ...

Trauma

SPOILER WARNING The following notes give away some of the plot. Dario Argento’s 12th feature as director, his first full-length film shot entirely outside Italy after his half of the anthology Two...

Opera

SPOILER WARNING The following notes give away some of the plot. + intro by Michael Blyth, season curator (Monday 8 May only) Opera is, arguably, Dario Argento’s last truly great film – it all get...

Matilda

What’s it about? Young Matilda is a book-obsessed genius whose family don’t appreciate her. After her parents ignore her plea to attend school, Matilda plays enough tricks to exasperate them into s...

The Wild Bunch

SPOILER WARNING The following notes give away some of the plot. Pushing the auteur theory into realms of fantasy, it is tempting to take the image of the scorpion in a nest of killer ants which ap...

Rodeo

Hot tempered and fiercely independent, Julia finds escape in a passion for motorcycles and the high-octane world of urban ‘Rodeos’ – illicit gatherings where riders show off their bikes and their l...

The River

A contemporary review The career of Jean Renoir has often seemed an enigma. His reputation is, justly, high, but so few of his films have really satisfied. Of the pre-war French films, only the bit...

Return to Seoul

‘Loosely based upon the life of Laure Badufle’, reads an intertitle in the credits of Return to Seoul. Laure Badufle is a friend of the film’s director, Davy Chou, and an adoptee from South Korea r...

Monsters

SPOILER WARNING The following notes give away some of the plot. Monsters does for the CGI generation what George A. Romero’s Night of the Living Dead did for 1960s horror: takes a series of increa...

Deep Red

SPOILER WARNING The following notes give away most of the plot. In Argento’s filmography, Deep Red comes between his early; densely plotted murder mysteries (The Bird with the Crystal Plumage, Fou...

The Blue Caftan

In Salé, one of Morocco’s oldest medinas, Mina and husband Halim run a traditional caftan store. Mina greets the customers and Halim works quietly in the background, hand-stitching each garment wit...

The Headless Woman

Introduced by Zeina Durra In Argentine writer-director Lucrecia Martel’s disquieting psychological thriller, a woman collides with something while driving her car. She initially believes she hit a...

The Discreet Charm of the Bourgeoisie

A contemporary review If Le Charme discret de la bourgeoisie registers as the funniest Buñuel film since L’Age d’or, probably the most relaxed and controlled film he has ever made, and arguably the...

New Films by George Barber

The leading-figure behind the Scratch Video phenomena of the 1980s, in turn influencing music video, television, alternative film and beyond, George Barber’s influence and standing in British artis...

Four Flies on
Grey Velvet

SPOILER WARNING The following notes give away some of the plot. Dario Argento’s third feature film as director was intended to be his farewell to the giallo that he’d helped to reinvigorate with t...

The Seventh Seal

Seven reasons to celebrate ‘The Seventh Seal’ Set in the time of the Black Death, Ingmar Bergman’s The Seventh Seal centres on a pensive knight, Antonius Block (Max von Sydow), who returns to Swed...

The Passionate Stranger

+ intro by filmmaker Carol Morley (Tuesday 2 May only) When an Italian chauffeur is taken on by a married couple, the novelist wife writes him into her new book. He finds the manuscript and, belie...