Programme Notes

BFI Southbank

Muriel Box
The Odd Woman Out

Despite being an accomplished screenwriter and Britain’s most prolific female director, Muriel Box is little remembered today. Join us for this season introduction event as filmmaker Carol Morley, ...

The Bird with the
Crystal Plumage

While Mario Bava’s formative 1963 murder mystery The Girl Who Knew Too Much set the giallo blueprint, Argento’s soaring debut, about an American in Rome who fears for his life after witnessing an a...

The Seventh Veil

Muriel Box was the first woman to win the Oscar™ for Best Original Screenplay (shared with her husband Sydney), for this story inspired by her fascination with new methods of therapy. When a young ...

Good-Time Girl

SPOILER WARNING The following notes give away some of the plot Good-time Girl, made during the period when Sydney Box was in charge of production at Gainsborough, seems ­– superficially at least –...

Enys Men with live score by The Cornish Sound Unit

To coincide with the BFI Player and dual format release of Enys Men, we’re thrilled to be presenting the film with a live score that sonically reimagines its source material. It will be performed b...

My Son the Fanatic

Written by Hanif Kureishi from his own short story, My Son the Fanatic was the first British feature film to tackle what was already a subject of growing importance in the wake of the Salman Rushdi...

Young Soul Rebels

Isaac Julien on ‘Young Soul Rebels’ I suppose Young Soul Rebels is a film which tries to deal with a number of questions that people would rather sweep under the carpet at this moment, especially ...

The Passion of Remembrance

The men disaffected by the turbulence of the 1980s place themselves at the forefront of black liberation, embodying their authoritative traditional gender roles to dictate a vision for the future. ...

Theorem

+ intro and talk with Bruce LaBruce, a/political exhibition and Doesn’t Exist magazine launch Bruce LaBruce has reimagined Pasolini’s Theorem for his latest project, a photoshoot and exhibition fo...

Experimenta Mixtape S02E02 Curated by Holly Antrum

Drawing on extensive, sustained research carried out at the BFI National Archive, artist Holly Antrum presents a wide-ranging, unpredictable mix of film and videos, as if selected by the fictional ...

Deep End
(Relaxed Screening)

+ intro and discussion Set in London – but mostly filmed in West Germany – at the end of the 1960s, Deep End explores the space between fantasy and reality, as teenage swimming pool attendant Mi...

Storm Warning

When Marsha Mitchell (Rogers, in one of her strongest roles) visits her sister (Doris Day) in the Deep South, she witnesses a Ku Klux Klan murder involving her brother-in-law. This frighteningly te...

Essential Killing

Appropriately coming from a filmmaker who has endured his own share of troubles, Essential Killing deals with survival against the odds. Premiered to acclaim at the Venice Film Festival, Jerzy Skol...

Lunana
A Yak in the Classroom

What’s it about? Trainee teacher Ugyen is disappointed to learn that in the final year of his learning will be spent in Lunana, a remote village in northern Bhutan. It’s a staggering seven-day walk...

Sick of Myself

A very funny unromantic comedy about a delightfully unhinged couple in a toxic relationship. Twentysomething Signe is coasting, spending her days working in a café and scrolling through social medi...

Polite Society

+ intro with writer-director Nida Manzoor 16-year-old Ria is an aspiring stuntwoman, dreaming of her future excelling in the film business while her older sister Lena becomes a world famous artist...

Full Circle
The Haunting of Julia

+ Q&A with Richard Loncraine and Simon Fitzjohn When the cameras finally started rolling on the production of Full Circle in London on 8 November 1976, it is unlikely that producer Peter Fett...

Alan Bennett in conversation

Few writers have successfully mined northern culture and specific northern speech patterns as Alan Bennett. Growing up in Leeds, he listened in on the chatter of his relatives, absorbing the patter...

Rita, Sue and Bob Too

‘The film that turned the festival blue’ was one shocked tabloid’s verdict on Alan Clarke’s bleakly bawdy comedy about a married man bedding his teen babysitters, which scandalised the Brighton Fil...

The Man without Desire

+ intro by Josephine Botting, BFI Curator and author of Adrian Brunel and British Cinema of the 1920s , published by Edinburgh University Press. One of the stranger films to emerge from Britain in...