BFI Southbank Programme Notes

The Middleman

Over the years, there has been a delicate but perceptible shift in Satyajit Ray’s attitudes to his subjects. The characteristic Ray protagonist remains a young man, educated to higher expectations ...

July 6, 2022 | SATYAJIT RAY
THE LANGUAGE OF FILM

Sunday Bloody Sunday

Daring and controversial at the time of release, this film grapples with the emotional fallout from a polyamorous relationship between young artist Bob (Murray Head), lonely doctor Daniel (Peter Fi...

July 5, 2022 | GLENDA JACKSON

Reel Stories
An Oral History of London’s Projectionists

+ Q&A Enjoy this premiere of a film exploring the unseen work behind the cinema screen. In this revealing documentary the filmmakers consider the types of people who become projectionists, the...

July 5, 2022 | SENIORS

Glenda Jackson
in Conversation

From the Oscar®-winning successes of Women in Love (1969) and A Touch of Class (1973) to the Emmy-winning TV role Elizabeth R (1971), Glenda Jackson’s talent and intensity have burned through big a...

July 5, 2022 | EVENTS

Yeelen

SPOILER WARNING The following notes give away some of the plot. It was, if memory serves, the young and impertinently iconoclastic journalist François Truffaut who walked out of the Cannes festiva...

July 3, 2022 | IN THE BLACK FANTASTIC

Rome, Open City

SPOILER WARNING The following notes give away some of the plot. Made towards the end of WWII, Rossellini’s film about life in Rome under the Nazi Occupation – originally inspired by a priest servi...

July 3, 2022 | BIG SCREEN CLASSICS

Pather Panchali

Satyajit Ray on ‘Pather Panchali’ I remember the first day’s shooting of Pather Panchali very well. It was in the festive season, in October, and the last of the big pujas was taking place that day...

July 3, 2022 | SATYAJIT RAY
THE LANGUAGE OF FILM

Horror of Darkness + Let's Murder Vivaldi

Horror of Darkness arrived in the early days of The Wednesday Play (BBC, 1964-70), just before the anthology series acquired its reputation as the often controversial highlight of the mid-1960s BBC...

July 3, 2022 | GLENDA JACKSON

Women in Love

When Women in Love opened theatrically in Britain in the autumn of 1969, its director, Ken Russell, had been a professional filmmaker for a full decade. Although he had only made two cinema feature...

July 2, 2022 | GLENDA JACKSON

Theorem

Pier Paolo Pasolini was a man of many qualities and contradictions – oft-noted when folks point to the strangeness of an atheist making The Gospel According to Matthew (1964) – and that is reflecte...

July 2, 2022 | BIG SCREEN CLASSICS

Sankofa

The career of the Ethiopian-born, American-based writer-director Haile Gerima is a fascinating case study of the challenges faced by left-leaning, formally experimental black filmmakers. Consider t...

July 2, 2022 | IN THE BLACK FANTASTIC

Pandora's Box

Pandora’s Box (Die Büchse der Pandora) is a confounding film. It failed commercially, then soared in popularity long after it might have been forgotten. It is a masterpiece that has been mistreated...

July 2, 2022 | BIG SCREEN CLASSICS

In Conversation with Aparna Sen + UK Premiere - The Rapist

An early scene in Aparna Sen’s The Rapist sees a bunch of slum-dwelling boys mocking one among them for being weak ‘like a girl’, while playing football. In the subsequent scene, these young adult...

July 2, 2022 | LONDON INDIAN FILM FESTIVAL

The Adversary

Ray on ‘The Adversary’ Did you consciously set out with the idea that Days and Nights in the Forest , The Adversary and Company Limited would form a new trilogy? I didn’t think of it during the f...

July 2, 2022 | SATYAJIT RAY
THE LANGUAGE OF FILM

Wayfinder

Wayfinder is Larry Achiampong’s first feature and most ambitious film to date. Set during a pandemic, the film tracks the movements of its central protagonist – The Wanderer, a young girl (played ...

July 1, 2022 | NEW RELEASES

Nitram

Please note: this film contains scenes that some viewers may find distressing. Nitram (Landry Jones) is a troubled young man who lives with his parents in a small Tasmanian town and is profoundly ...

July 1, 2022 | NEW RELEASES

BUG 63

Welcome to BUG 63. Once again Adam Buxton is here to present a fresh and new episode of BUG, combining excellent new creative work in the field of music videos with a smattering of things we were u...

July 1, 2022 | EVENTS

All the President's Men

A contemporary review A reputation as one of the most faithful and artful of movie adaptations has preceded All the President’s Men to the screen. Beginning with Robert Redford’s acquaintance with ...

July 1, 2022 | BIG SCREEN CLASSICS

The Afterlight

+ Q&A with director Charlie Shackleton ‘More stars than there are in heaven,’ MGM boasted in its heyday. That motto could apply to Charlie Shackleton’s collage film, which places hundreds of s...

June 29, 2022 | PREVIEW

In Pursuit of Silence

+ intro and discussion. Exploring the words of Lao Tzu, ‘silence is a source of great strength’, this documentary encourages us to really observe the world around us. This contemplative, richly...

June 27, 2022 | RELAXED SCREENING