Programme Notes

BFI Southbank

Perfect Blue

Satoshi Kon’s feature debut plunges us into Japan’s late 1990s pop idol scene, and surfaces with a fractured tale of psychological and physical brutality. Mima is 21 when she decides to leave CHAM!...

The Ordeal

The films of the New French Extremity and the accompanying focus on Gaspar Noé examine an important, controversial and highly violent cinema movement. They are not suitable for all. The film you a...

Man Bites Dog

The films of the New French Extremity and the accompanying focus on Gaspar Noé examine an important, controversial and highly violent cinema movement. They are not suitable for all. The film you a...

Your Name

SPOILER WARNING The following notes give away some of the plot. Makoto Shinkai’s dreamily emotional anime romance, the highest grossing film of 2016 in Japan at ¥15bn and counting, has unsurprisin...

I Stand Alone

The films of the New French Extremity and the accompanying focus on Gaspar Noé examine an important, controversial and highly violent cinema movement. They are not suitable for all. The film you a...

The Girl Who Leapt through Time

Every sci-fi fan knows that time-travel is never easy. Douglas Adams, the author of The Hitchhikers Guide to the Galaxy, compared history to badly plastered wallpaper; push one bubble down and anot...

A Farewell to Arms

Ernest Hemingway’s story of a doomed love affair between an American ambulance driver and a nurse is turned into a full-blown tearjerker by Frank Borzage. With luminous close-ups of Gary Cooper and...

Baise-moi

The films of the New French Extremity and the accompanying focus on Gaspar Noé examine an important, controversial and highly violent cinema movement. They are not suitable for all. The film you a...

We're All Going to the World's Fair

Director’s Statement When I was 13 years old, I would stay up late writing scary stories about serial killers and vampires on an online horror message board. I was a morbid, creative kid still dec...

BUG 62

Now, where were we? Ah yes. A mere two years and three months after the last time we did this, BUG is back at BFI Southbank with a brand new show of outstanding creativity from the world of music v...

The Funhouse

SPOILER WARNING The following notes give away some of the plot. If you want to understand Tobe Hooper’s relationship to and impact on the horror genre, you could do worse than watching one of his ...

Illuminating the Wilderness

+ discussion with artists and makers from Project Art Works Illuminating the Wilderness offers a window onto the experiences of a group of neurodiverse artists, filmmakers, families and carers ...

Ghost in the Shell

Beautifully animated and disturbingly prophetic, Ghost in the Shell is a futuristic tale centred on Public Security Section 9’s hunt for supreme hacker The Puppet Master. This is a world where gove...

The Woman in Black

Nigel Kneale has demonstrated his predilection for ghost stories in such distinctive television dramas as The Road (BBC, tx. 29/9/1963), Quatermass and the Pit (BBC, 1958-59), and The Stone Tape (B...

Miss Julie

+ intro by Elaine Wong, short film programmer, BFI London Film Festival (Friday 29 April only). If all American literature is made of tributaries of Mark Twain’s Mississippi and, as Dostoevsky had...

The Northman

The word ‘visionary’ has been grossly devalued in the world of cinema. For a long time, ‘visionary director’ has pretty much meant anyone with an excitable publicist, a sturdy CGI budget and a know...

Firebird

Peeter Rebane came across the story of Firebird seven years ago, through the Tallinn Black Nights Film Festival. There, he spoke with film critic and actor, Sergei Lavrentiev who gave him a copy of...

Ennio

During the five years of filming Ennio, director Giuseppe Tornatore travelled across the globe to interview over 70 renowned filmmakers and musicians about the life and work of Ennio Morricone, fro...

Saraband

Three decades after Scenes from a Marriage (1973), Saraband – which Ingmar Bergman has declared will be his final work – stages a rematch between that film’s stars, Liv Ullmann and Erland Josephson...

I Confess

Set and filmed largely in Quebec, and exploiting the city’s architectural atmosphere, rich in the traditions of French Catholicism, I Confess is the Hitchcock film which treats most fully the relig...